We've been here since early 2014 and we have receieved a few testimonials on our website, but as of late 2018 we have moved our review serction to Google and Facebook. If you would like to let us know your experience with Web For Actors we would love to hear from you.
Henry W. Laster - Web For Actors client
I just started using your site, but it is very fast and user friendly. I am so glad that I am using your site. i have already had one director to look at my profile and said it was impressive.
Actor Website Tips | You want a modern looking actor website, not an antique
The best way to see if a company you're trying to hire to build you your actor website is active and using the new technology is to ask them for a recent website they published. There's an even easier way to see if they...
Fun Facts | Websites for Actors
Build your #actor #website while brushing your teeth.
Actor Casting Hints | Impress Casting Directors
Maybe you're a screenwriter too, but it doesn't mean it's okay to change the script. You might offend someone.
Actor Dictionary | Back-End Payment
Also commonly referred to as "participation" or "contingency", a back-end payment is a type of compensation usually given to an above-the-line talent on a film. This means that the talent will receive a percentage of the revenue generated after the film is completed and is typically given to the talent in addition to his or her fixed upfront fee. This could include box office sales, foreign sales, VOD sales, DVD sales, and sales from other ancillary markets. How the back-end payment is defined varies from project to project, and depends solely on what the talent negotiates. Often times the agent will negotiate this deal. The talent may negotiate for "gross-participation" in which the talent receives a percentage of the revenue before certain expenses have been deducted. This is often referred to as "First-Dollar-Gross", which is every talent' objective to attain in a back-end negotiation. In other words, as soon as the first-dollar of revenue has been generated, the talent starts receiving a percentage of that revenue. The talent may negotiate for a percentage of "distributor' adjusted gross" which means that the talent will receive a percentage of the revenue after a defined break-even point has been reached. The talent may also negotiate for a percentage of "net-profit", however, this is type of deal is rarely done as a film, according to standard accounting principles, rarely reaches net profit.
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